A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.

Amata is about two lives that graze one another without meeting, connected by invisible threads and choices that can change a person’s fate. With its intimate, sensual and deeply human gaze, Amata singles out the bodies and souls of its two lead actresses in order to explore what it means to choose. And love. Nunzia is an out-of-town student with a crushing secret: an unwanted pregnancy. Isolated, she weighs a grueling decision: keep the baby or give it up. In another place, Luca and Maddalena endure the emptiness of a new life that doesn’t arrive. After a long, fruitless trial, a chance presents itself: delicate, luminous, full of anticipation. Amata is the story of two women who intersect, fragile fighters yet strong at the same time, who imagine love, freedom and motherhood in its many forms. And a third woman, Margherita – the child. Torn between different worlds, and silent carrier of a bond that unites them, though no one knows.

After his political days are over, Red decides to become a fireman. He takes the exam, goes to fire college and is stationed at Company 27. That station is commanded by Captain Shannon, who punched him out over his last girl and does not like him seeing his sister Margie. Red does just enough work to get by, but then his lack of attention causes his best friend Skillet to be injured. For his punishment, Red is suspended and then transferred to a fire boat. He works harder and finds that the fireman`s lot is not as easy or as safe as he thought.

A bank teller's love life falls apart when he's accused of embezzling.

When the reigning Santa is no longer fit for duty his helpers must search for a replacement. This leads to a wacky, exhausting hunt and doesn't turn up exactly what Santa's angels hoped for. To make matters worse still, "Santy" winds up being just this side of totally undesirable.

Director Hugo Haas reprises the theme of romantic love in this routine yet innocent story of matchmaking. The setting is an overcrowded tenement building in which the residents seem to live beyond the reach of muggers or drug dealers or trigger-happy gangs because they mingle and mix in the halls as they energetically interact with each other.

Jill Yates' daughter Emily takes up with bad boy Gary, whose violent behavior lands him and Emily in trouble. To avoid prison, Gary and Emily appear to commit a double suicide, but Jill sets out to prove Gary has gone on the lam, taking Emily with him.

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